HELLO YOU ARE LOOKING TO BUY A PERRY FARRELL CD-R ACETATE SONG YET TO BE SONG ADVANCE RELEASED ON VIRGIN RECORDS IN 2001. THIS IS AN ORIGINAL FIRST PRESSING- NOT A REISSUE. THIS TITLE COMES WITH A COLLECTIBLE ALTERNATE ALBUM COVER AND REAR TRAY INSERT. THE DISC IS ALSO DIFFERENT AND HAS PLAIN BLACK TYPE PRINTED ON THE CD FACE AND IS MARKED ADVANCE. THIS TITLE MAY CONTAIN DIFFERENT EARLY VERSIONS FROM THE SONGS ON THE FINAL RELEASES. READ BELOW FOR MORE INFO ON THE DIFFERENCE BETWEEN ACETATES AND REGULAR CD'S ITEM IS IN OVERALL NEAR MINT CONDITION. THERE IS A FEW LIGHT MARKS ON THE DISC THAT ARE ONLY VISIBLE IF YOU HOLD THE DISC TO THE LIGHT- SHOULD NOT EFFECT PLAY. BOOKLET, TRAY INSERT & JEWELCASE ARE LIKE NEW. CD IS NOT SEALED- DON'T THINK THAT IT EVER WAS- BUT COMES STORED IN A POLY BAG SLEEVE. INTERNATIONAL BUYERS PLEASE INQUIRE FOR SHIPPING RATES. THANKS FOR LOOKING AND HAPPY BUYING! SEE OUR OTHER ITEMS FOR THIS ARTIST
PERRY FARRELL Song Yet To Be Sung (Official 2001 US Virgin label 12-track promotional only CD-R acetate . Custom printed disc complete with a unique picture sleeve different to the released version plus a title/tracklisting back insert). Format: CD-R(ECORDABLE) !--USA-CDR-PROMO#NAME->DESC#CD-R’s (Compact Disc-Recordable - also known as CD-Writable) are now often produced by record companies prior to, or instead of, distribution of a ‘finished’ promotional CD. Also known as a CD-R ‘acetate’, they got this name when they first appeared as they were the digital technology equivalent of the metal and lacquer ‘acetate’ discs of the 60’s & 70’s. These were first cut in the studio, direct from the master tape and they enabled the artist, producer or record company executive to hear a track away from the studio environment almost straightaway; all they needed was a turntable to play the acetate. Nowadays the same theory applies, although on CD-R they can simply play it on their car stereo or personal Walkman!Early U.S. CD-R’s were gold in colour, and usually had simple handwritten artist and title information on the disc and sleeve insert, much like the acetates of previous decades. As technology progressed these discs were customised by the studios using them. They subsequently progressed to the silver and blue discs still in use today. These almost always have computer printed titles on the ‘label’ side and since duplication techniques have improved they are often a cheaper, and quicker, alternative for record companies to use instead of manufacturing proper compact discs.In extreme cases some CD-R’s may be produced weeks or months before a promotional disc is planned; even before titles, catalogue numbers and release dates have been scheduled. As a result some tracks may be left un-mastered, meaning they have not gone through the final editing process, they could have alternate ‘work-in-progress’ titles or be somehow different to the final mastered version. Generally, however, they are more likely to be used as a simple promotional format in much the same way that the more traditional promotional CDs are. CD-R’s are usually housed in a plain white titled sleeve which gives just basic information such as artist, title, tracks, running time and record or production company logos; but they can sometimes be issued in a picture sleeve if the final artwork is available. They rarely display a catalogue number. Depending on their intended purpose they can be just 1-track (usually the next single), multiple track album samplers or ‘teasers’, full albums, or even multiple discs to promote boxed sets or a back catalogue reissue campaign.They have become ever more collectable in recent years and genuine, early examples have been known to fetch significant sums.--> CD-R’s (Compact Disc-Recordable - also known as CD-Writable) are now often produced by record companies prior to, or instead of, distribution of a ‘finished’ promotional CD. Also known as a CD-R ‘acetate’, they got this name when they first appeared as they were the digital technology equivalent of the metal and lacquer ‘acetate’ discs of the 60’s & 70’s. These were first cut in the studio, direct from the master tape and they enabled the artist, producer or record company executive to hear a track away from the studio environment almost straightaway; all they needed was a turntable to play the acetate. Nowadays the same theory applies, although on CD-R they can simply play it on their car stereo or personal Walkman! Early U.S. CD-R’s were gold in colour, and usually had simple handwritten artist and title information on the disc and sleeve insert, much like the acetates of previous decades. As technology progressed these discs were customised by the studios using them. They subsequently progressed to the silver and blue discs still in use today. These almost always have computer printed titles on the ‘label’ side and since duplication techniques have improved they are often a cheaper, and quicker, alternative for record companies to use instead of manufacturing proper compact discs. In extreme cases some CD-R’s may be produced weeks or months before a promotional disc is planned; even before titles, catalogue numbers and release dates have been scheduled. As a result some tracks may be left un-mastered, meaning they have not gone through the final editing process, they could have alternate ‘work-in-progress’ titles or be somehow different to the final mastered version. Generally, however, they are more likely to be used as a simple promotional format in much the same way that the more traditional promotional CDs are. CD-R’s are usually housed in a plain white titled sleeve which gives just basic information such as artist, title, tracks, running time and record or production company logos; but they can sometimes be issued in a picture sleeve if the final artwork is available. They rarely display a catalogue number. Depending on their intended purpose they can be just 1-track (usually the next single), multiple track album samplers or ‘teasers’, full albums, or even multiple discs to promote boxed sets or a back catalogue reissue campaign. They have become ever more collectable in recent years and genuine, early examples have been known to fetch significant sums. Record Label: Virgin Catalogue No: CDR ACETATE Country of Origin: USA Language: Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description. |
